Katleen Vermeir
- AMBULANTE ARCHITECTUUR
- AXIS MUNDI
- BELLE-VUE
- CADAVRE EXQUIS (BRUSSELLE, PART1)
- CIRCUITS
- DIACHRONICAL LANDSCAPE
- FITTING THE PICTURE
- HORTUS CONCLUSUS
- LIQUID ARCHITECTURE
- NO MAN'S LAND
- SEISMOGRAPHIC REGISTRATION OF A BUSRIDE DURING A LANDSCAPE
- TABLEAUX-VIVANTS
- TABLEAUX-VIVANTS (after Vermeer)
- TABLEAUX-VIVANTS (CONSTRUCTION MODELS)
- TABLEAUX-VIVANTS/ CONSTRUCTION (MODELS) #04
- THE HISTORY OF NEW YORK (FROM THE BEGINNING OF THE WORLD TO THE PRESENT)
- THE IDEAL CITY (PORTRAITS)
- THE IDEAL CITY (TWO BOATS)
- THE PASSING OF A PERFECT DAY (for GM-C)
- THE PASSING OF A PERFECT DAY (REVISITED)
- WATERDRAWING
- WHEN DID YOU LAST MOVE YOUR FURNITURE AROUND?
In this video the artist documents a movie/documentary - producer/director/distributor from the seventies, Pierre Querut, who was also her landlord at the time. In the film he takes her on a tour through Brussels and speaks about the former cinema district, movie theatres that have disappeared… At the same time he shows those places in Brussels and in his house that he used as film set in the B-movies and documentaries he made. The apartment the artist lived in at the time was formerly used as a film set many times. Past and present, fiction and reality constantly mix. Querut, who himself used to work with a camera is always aware of its presence. He’s ceaselessly commenting the way of filming, and in this respect indirectly questioning the status of the image.
CADAVRE EXQUIS (BRUSSELLE, PART1)
runtime: 40 '
year: 2004
format: DV video,
country of production: Belgium
producer: Ltd.Ed.vzw
language : Flemish
credits:
concept& realisation: Katleen Vermeir
in collaboration with Pierre Querut (as himself)
Used film excerpts with kind permission of General Films
Supported by Vlaams Audiovisueel Fonds (VAF)
This video was part of the installation Cadavre Exquis, a project in collaboration with Ronny Heiremans.
Kunstencentrum STUK, Leuven (B)