Katleen Vermeir
- AMBULANTE ARCHITECTUUR
- AXIS MUNDI
- BELLE-VUE
- CADAVRE EXQUIS (BRUSSELLE, PART1)
- CIRCUITS
- DIACHRONICAL LANDSCAPE
- FITTING THE PICTURE
- HORTUS CONCLUSUS
- LIQUID ARCHITECTURE
- NO MAN'S LAND
- SEISMOGRAPHIC REGISTRATION OF A BUSRIDE DURING A LANDSCAPE
- TABLEAUX-VIVANTS
- TABLEAUX-VIVANTS (after Vermeer)
- TABLEAUX-VIVANTS (CONSTRUCTION MODELS)
- TABLEAUX-VIVANTS/ CONSTRUCTION (MODELS) #04
- THE HISTORY OF NEW YORK (FROM THE BEGINNING OF THE WORLD TO THE PRESENT)
- THE IDEAL CITY (PORTRAITS)
- THE IDEAL CITY (TWO BOATS)
- THE PASSING OF A PERFECT DAY (for GM-C)
- THE PASSING OF A PERFECT DAY (REVISITED)
- WATERDRAWING
- WHEN DID YOU LAST MOVE YOUR FURNITURE AROUND?
These drawings find their origin in the endless and bumpy bus rides I did in China and Tibet. Trying to write I wound up making drawings of oscillating lines. In the end it was the bus rather me that made (very lifelike) drawings of the surrounding landscapes. Landscapes that were registered on top of whitewashed local postcards, their paint flaking due to the hardships of travelling.
SEISMOGRAPHIC REGISTRATION OF A BUSRIDE DURING A LANDSCAPE
series of 10 Tibetan postcards, paint, pencil
1998
(10x15 cm)